Thursday, 2 February 2012

Review Of The Canon 5D Mk2

By Compare DSLR


Introduced as a Semi-Pro D-SLR, the Canon 5D Mk2 camera has aged a bit over its lifecycle but still is a fave for semi-pros all over the photography industry, regarded as the best image-maker of its class. In fact , the grade of photographs is hard to measure; images show a much more true view of the pictured subject.

Rangefinder

Big and bright, the viewfinder is competent. The 5D Mk 2 even beats out the old class favourite view-finder on the 1Ds Mark 3.

LCD

The LCD screen is big, bright and easy to see the info pictured on it. Canon also included a new display feature, exploiting clever sensor that adjusts light based on the ambient lighting in the area. Though it might be a little odd to observe the image change before your eyes, it is still a neat feature. If the feature a distraction outdoors you can quickly switch it back to manual settings.



Memory

Photographers who aren't used to the increase of 20+ Mega-Pixels may wish to purchase an extra 8 or 16 GB Compact Flash Card. The previous will provide you room for approx. 300 images or 24 minutes of HD or hi-def 1080p video.

Auto Focus

Matched against the original 5D the Mk 2 has certainly improved as far as the auto focus is concerned, particularly in the centre point. Indeed, there's a bit of an issue with the spacing with the 9 automatic focus points as it can be a bit narrow, nevertheless it is easily overlooked; the center point is consistent, as long as you are not attempting to take images without lighting, e.g. in dark bars or caves.

Frame Rate

Indeed, 3.9 FPS this isn't by any means a fantastically fast rate of shooting, nevertheless it still works well. Tested with both the SanDisk Extreme IV and Lexar 300X cards, it has been verified this camera does shoot at the advertised rate. Given that you are not the sort to take photographs at the rate of a machine gunner, you could have no problems at all.

Details

It is very easy to inform that both the sharpness and resolution are very similar between the Mk2 and the previous leader, the 1Ds Mark III. Given they use the same sensor technology, this of course makes sense. Nevertheless comparing the pictures still shows a small difference, perhaps due to a new anti-alias filter tint â€" the images photographed with the 5D Mk2 appear to be a bit brighter without displaying a slight blue look like the 1Ds Mark III. Nevertheless the resolution appears to stay the same.

HD Film

Potentially one of the more pleasing â€" and maybe even arguable â€" features available on the 5D Mk2 camera is its capability of recording high definition films in full 1080p resolution. This is something which has definitely sparked some buzz throughout the whole industry of photography. It seems that quite a few photographers aren't pleased with the advent of combo cameras like this, but if you are a budding video producer, this can definitely be something you find helpful and within your means.

To offer a concise background on the video issues: For the longest time, being able to achieve a "film like" depth has been a bane to the independent filmmaker. Years back, those who were capable of using macro lenses and machining could improvise by making motion pics with a 35 mm depth of field with the right lenses on their own prosumer/consumer level cameras. This ended up spawning a business that prompted quite a number of companies to provide its consumers a way more fascinating commercial selection of adapters, though they were never perfect, resulting in a undesireable of light loss. With Canon presenting its combo cameras, independent filmmakers can now enjoy new cameras with larger sensors and better noise performance.

The only real downside is that it implies filmmakers are indeed limited just to a single shooting mode. Put simply, the camera will limitingly dictate the ISO range, shutter speed and the aperture in which you will be shooting your movie in. However, you get the extra bonus of having a two stop correction range, and you are capable of locking exposure.

Additionally, it is only feasible to shoot 12 minutes of recording at a time at 30 frames per second, and because of the design choice for the CMOS sensor, you have to be careful when you are panning your shots; unexpected changes can end up in diagonal lines that should otherwise be vertical.

Regardless of these two negatives, the film mode still does have quite a large number of strengths, including a full frame depth of field, an. Superb performance under dim light that rivals considerably costlier cameras, a top quality video codec that provides a very workable set of photographs, as well as a light and compact form for a camera. It's also vital to note that this is a considerably cost-effective camera considering the other alternatives available.

Final Thoughts

The present day is indeed an engaging time for photographers of all kinds. Actually it wasn't very long ago that a camera much like the 5D Mark2 would cost an arm, a leg and one's soul. Now it seems that Canon has actually become hip to the world of 20+ megapixels, and this actual camera offers a generous sweet spot vis resolution. Even in the line up of other Canon cameras, the 5D Mk 2 competes very well. Even with the limitations as far as the HD video mode are concerned, it still is an incredible bargain for the price. Whether or not you are new to the field or an old pro searching for something useful, this just might be the camera for you.




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